This landmark exhibition brought international attention to Miami’s Haitian community through 75 photographs capturing daily life and resilience in Little Haiti. Shot largely in black and white, Weber’s intimate portraits responded to immigration injustice and the aftermath of the 2010 Haiti earthquake.

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Commissioned by the museum, Mark Handforth’s Electric Tree transformed a banyan in North Miami’s Griffing Park into a luminous landmark. Eighty-five LEDs trace its branches, turning daytime shade into a glowing canopy at night. The installation invites the community to gather, perform, and play beneath its radiant limbs, realizing Handforth’s vision of “drawing with light.”

Tracey Emin’s first U.S. museum survey showcased her iconic neon works. Curated by Alex Gartenfeld, the exhibition featured over 60 pieces spanning two decades, tracing her evolution from raw confessionalism to poetic reflections on love, loss, and desire.

Alex Gartenfeld’s inaugural exhibition, Love of Technology examined human engagement with machines through commissioned and site-specific works by international artists, including American museum debuts. Drawing on minimalism and conceptual art, the show challenged perceptions of technology, highlighting human fallibility, innovation, and the interdependence of people and systems.

Kenyan-born artist Wangechi Mutu’s landmark survey showcased her visionary exploration of race, gender, sexuality, and displacement. Through collages, sculpture, and video, Mutu interrogated the fetishization of the Black female body and the enduring effects of colonialism and consumerism.